• Aizone Sagmeister & Walsh – Jessica says too much creative freedom can actually hinder the design process. She counters that creative freedom by setting constraints, such as only working in black and white or with only specific shapes to balance the process.
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  • playful. If you make the letters lime green you would have yourself a Goosebumps font.
  • The Anatomy of Type
  • 100706_MS
  • Sydney-based Benja Harney works exclusively with paper to craft a wide range of forms--in this case, a series of A letterforms for an alphabet-specific exhibition for a pop-up store in Sydney.
  • Ontwerp door Saskia Pouwels van design studio Hats & Tales opgericht in 2012.  Na ervaring opgedaan te hebben bij studio  Studio Dumbar, Rotterdam heeft ze haar eigen bedrijf opgericht gericht op identiteit.  Dit ontwerp spreekt me aan door de creatieve manier van letters die ''er uitsteken'. Hierdoor krijgt het een dynamisch en 3d gevoel.
  • Incorporating the theme of the design into the typography.   I really enjoy how the message is incorporated in the hands. Hands make the font and I think that is really cool and neat. It makes you want to look at the poster, it catches your attention.
  • Movimento & Transformação
  • This movie scared me to pieces as a kid, but I love this poster.
  • I think this is really cool. This would be a good design for a division page with a good quote. LF @Mendi Evans Evans Kelley
  • BALANCE: Japanese A. The masked tree branch silhouette image is stunning. It creates a very visually interesting negative space. The type in the upper left corner has the propensity to follow the diagonal ascension of the left leg of the A. This is a brilliant composition with maximum contrast, and a clear focal point for a simply stunning result.
  • { teaganwhite } design & illustration