the images are at times fantastical and eerie, with spectral shapes suggested by the gathering of mi
evoking the work of richard mosse, GMUNK’s impressions reorganise our perception of ‘organic’ aesthe
rather than distract from the natural beauty of the place, the ethereal new highlight both the sceni
the fantastical images turn the natural landscape into something more akin to a martian mountain ran
from thundering waterfalls to placid shorelines, every intricacy of the fjord is captured in stunnin